© Winter Beaumont 2025     
 
X          Selected Works

These Letters Truly Haunt Us - 2025
π•Ώπ–π–Šπ–Š Altar ov π•Ώπ–π–Šπ–Š Five Thousand Six hundred and Fifty Six Unalived Anjels - 2024
L I M E R E N C E - 2024
Saphœðra - 2024
The 1561 Celestial Phenomenon Over Nuremberg - 2023
Pharmaceutical Goetia - 2023
All of The Evils of The World, and Hope - 2023
SPINNER WEAVER CUTTER - 2023
Tempestarium - 2023
Meredith - 2022
Sympathetic Magic - 2022
The Three of Swords - 2022
Henosis - 2021
Under The Lich Moon - 2021
Summoning The Pooka - 2021
The Threshold of The Third Place - 2021
Shadow Meditation I "Hypersexuality" - 2020
The Alphabet of Whispers - WIP




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The Hexing of a Paper Ghost
2025
Ritual photography/
Apotropaic scribblings in red biro on DWP envelope (sealed)






Not long after I had made my previous piece These Letters Truly Haunt us, I was confronted with a reassessment of my Personal Independence Payment from the Department of Work and Pensions and found myself with a letter on my doorstep. Using a red ballpoint pen I covered the unopened envelope in apotropaic marks – symbols used in historical folk magic to create wards of protection, often found carved into the structure of old houses and churches across Britain, and surrounded the letter in a ring of salt where it lay on my doorstep. I then began a lengthy ritual of banishing and protection which I documented with these photographs. The work is an act of protective magic in its ritual form, but the photographs themselves speak of the absurdity of the benefits system in the UK. The bureaucracy that those who have disabilities and chronic illnesses need to navigate is maddening. As it drives me towards an otherness, I embrace the transgressive sorcery that is at home within that irrational and marginal Other.